TERI BAATON MEIN AISA ULJHA JIYA MOVIE REVIEW SHAHID KAPOOR AND KRITI SANON IN LEAD ROLE

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 Teri baaton mein aisa uljha jiya movie review 


 â†’DIRECTED - Amit joshi and aradhana sah

 â†’ STARRING - Shahid kapoor, Kriti sanon Dimple kapadia,

 â†’PRODUCTION COMPAY - Maddock films and jio studio

 â†’ DURATION  - 143 minutes

 â†’BUDGET -  85 crore

 â†’RATING   2/10


Advance Booking           

Teri baaton mein aisa uljha jiya Advance bookings

Gross  2 crore boxoffice collection 

Nett 1.65 crore boxoffice collection 


Teri baaton mein aisa uljha jiya Screena

Teri baaton mein aisa uljha jiya has been released 4000 screens 

With 2500 screens while 1500 screensin overseas.


Teri baaton mein aisa uljha jiya Hit Or Floop

Teri baaton mein aisa uljha jiya needs yo crkss 90 crore to be called "hit" , if it is less than 85 crore will be a flop.


Teri baaton mein aisa uljha jiya Storyline

As artificial intelligence finds its way into the deep recesses of human emotions, writer-director Amit Joshi and Aradhana Sah have conjured up an unlikely romantic drama between a man and a machine that, after a laboured start, compels you to log out of logic to realise the matrix of modern-day relationships in a fun way.

Aryan (Shahid Kapoor) is a dashing robotics engineer in the Mumbai office of a US company run by his aunt (Dimple Kapadia). Not ready to commit to anyone, Aryan longs for compatibility and adaptability in a relationship. He makes fun of his friend for being in a marriage where he is being treated like a robot. His middle- class family in Delhi is so desperate to see him settled that Aaryan even gets dreams of being hitched to an ungainly bot. When his aunt calls him for a work assignment to New York, little does he know that he is going to be a lab rat for testing her aunt's most advanced robot Sifra (Kriti Sanon).

The secret of Sifra has already been spelt out in trailers, but the emotional hook lies in how the central conceit becomes a metaphor for the demands that the Indian middle class places on its women, so much so that it often feels only a robot could fulfil them. Sifra doesn't question the tradition and when she flounders, she gets the benefit of the doubt because she is 'manufactured' in America.

Nobody seems to mind that Sifra's smile is plastic. It comments on the larger-than-life expectations of men from modern-day relationships that can only be achieved by a software program which carries specifically his memories and his choices. And if it pesters, there is always an option to switch her off, temporarily. By the end, it becomes a cautionary tale where the line between the real and the robotic begins to blur.

 When Sifra's software begins to play tricks, she gets the same derisive looks that a bahu of the family would have received. Aryan tells the unsuspecting police officer that his fiancée has mental issues. The writers play on the word admin to bring out how men want to be in control but then the machines and women have their ways to survive and upgrade.

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Today | 12, April 2025